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Jumanji
Book
1981
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Left on their own for an afternoon, two bored and restless children find more excitement than they bargained for in a mysterious and mystical jungle adventure board game. - (Baker & Taylor)

When Judy and Peter find a game marked "Jumanji: A Jungle Adventure Game, free game, fun for some but not for all," strange and extraordinary things begin to happen to them - (Baker & Taylor)

The game under the tree looked like a hundred others Peters and Judy had at home. But they were bored and restless and, looking for something interesting to do, thought they'd give Jumanji a try. Little did they know when they unfolded its ordinary-looking playing board that they were about to be plunged into the most exciting and bizare adventure of their lives.
In his second book for children, Chris Van Allsburg again explores the ever-shifting line between fantasy and reality with this story about a game that comes startingly to life.
His marvelous drawings beautifully convey a mix of the everyday and the extraordinary, as a quiet house is taken over by an exotic jungle.
- (Houghton)

Author Biography

Chris Van Allsburg is the winner of two Caldecott Medals, for Jumanji and The Polar Express, as well as the recipient of a Caldecott Honor Book for The Garden of Abdul Gasazi. The author and illustrator of numerous picture books for children, he has also been awarded the Regina Medal for lifetime achievement in children’s literature. In 1982, Jumanji won the National Book Award and in 1996, it was made into a popular feature film. Chris Van Allsburg was formerly an instructor at the Rhode Island School of Design. He lives in Rhode Island with his wife and two children.
- (Houghton)

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Fiction/Biography Profile
Characters
Judy (Girl), Finds a board game in the park; game becomes reality
Peter (Boy), Finds a board game in the park; game becomes reality
Genre
Fiction
Juvenile
Science fiction
Fantasy
Action
Classic
Topics
Games
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Trade Reviews
Kirkus Review
Without pictures, this would be a fairly orthodox horror story for kids: a jungle board game, found in the park with ominous instructions, produces at each square the children land on whatever wild creature (""Lion attacks, move back two spaces"") or natural disaster (""Monsoon season begins, lose one turn"") is called for--until, beset, the two youngsters are throwing the dice wildly to reach the last square (""Jumanji, a city of golden buildings and towers"") and free themselves of the jungle terror. This episode, however, is framed, in a conventional picture-book made, by their departing parents' injunction to ""keep the house neat"" and the parents' return, with guests, after the game is over and all is calm. A second sly jest provides the obligatory twist at the end: a guest's two children are returning from the park, discarded game in hand. What makes the pictures themselves problematic is: l) the heavy load of portent present from the start (as in Van Allsburg's earlier The Garden of-Abdul Gasazi), which robs the book of a contrast between the normal, everyday and the macabre; 2) Van Allsburg's freeze-dry surrealism, which renders the turbulence as a static charade, or tableau; and 3) the paradox that imagined horror is more skin-prickling than horror seen--with a child's mouth agape. Van Allsburg's artistic skill seems largely confined to the devising of special effects--these largely dependent, in turn, on oversize close-ups and dramatic angles. Once their shock-value wears off, these are boring pictures--with no feel in particular (down to the inappropriately babyish toys) for a child's world. Copyright ©Kirkus Reviews, used with permission.
Summary
The game under the tree looked like a hundred others Peters and Judy had at home. But they were bored and restless and, looking for something interesting to do, thought they'd give Jumanji a try. Little did they know when they unfolded its ordinary-looking playing board that they were about to be plunged into the most exciting and bizare adventure of their lives.
In his second book for children, Chris Van Allsburg again explores the ever-shifting line between fantasy and reality with this story about a game that comes startingly to life.
His marvelous drawings beautifully convey a mix of the everyday and the extraordinary, as a quiet house is taken over by an exotic jungle.
Syndetics Unbound
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